I put these in a post on orientaldancer and wanted to share them here, too.
If you want to cover your tummy, here are some ideas.
1. Wear a leotard, alone or under a top.
2. Buy panty hose that are at least 2 sizes too big, that are NOT control top, and that have as few seams as possible. Pull them up all the way to your bra and pin them thoroughly (use about 8 pins or more). Wear a top over the bra and improvised bodystocking. You can cut off the legs if you want. (Flourish of the veil to Scheherzade for that one!)
3. Wear a long fitted shirt.
4. Wear a tank top -- but, I recommend pinning it to your underwear so that it does not ride up as you dance. Again, use about 6-8 pins.
5. Wear a shirt that can be folded / tied up. Then embellish with a "tummy drape": a pretty necklace, crocheted scarf, or other pretty, dangly thing hung beneath your bra line
And whatever you do, SMILE! It will draw their eyes up.
Saturday, April 25, 2009
Checklist for performing
You may have seen these on other middle eastern / belly dance / raqs sharki sites; but, it always seems to be quick list or product promotion event rather than a how to. So, here are some suggested questions to help YOU build YOUR list. Then, I’ll share my own.
Questions to ask yourself:
1. Where will I be performing? (Can I finish getting ready there or should I leave my home in full costume? Will you need shoes? Was there a special request that requires something I need to bring, like zills, extra hip scarves, etc.?)
2. What will I do when it is my turn to perform? (Do I have my music? Do I have a backup plan? So I need props like a veil, cane, etc.? Is this a group number that requires specific costume parts or accessories?)
3. Am I in charge? (Do I need to bring a CD player? What about an extension cord? Will I need glasses to read those nicely labeled CD’s the dancers will bring? Do I need to bring anything for my dancers, like water, band aids, etc.?)
4. What will I do after the show? (Do I need a change of clothes? Oh, yeah – do I need a real bra, then? Do I need a bag to hold all of this stuff? And, do I need a UHAUL to carry it?)
Ask yourself these questions every time you get ready to perform and you will cover 90% or more of what you need.
Then, one time, allow yourself an extra 10 minutes to get ready for a gig. As you get ready, have a way to write down EVERYTHING that you use or need for the performance. I put my list on the last page of my student notebook, which I take with me when I go to classes, to out of town workshops, etc. This list will help you not only when you are getting ready for your ordinary halfa, it will also be very useful if you have to pack to travel for a performance.
Here is my comprehensive list, which reflects my priorities, now that I look at it!
Costume items:
Cover-up
Bra / top
Belt / scarf
Skirt / pants
Veil
Shoes
Underpants that don’t show
Bra that doesn’t show
Earrings
Necklace
Bracelets
Rings
Anklets
Zills
Hairclips / bands
Hair accessories
Props: cane, sword, fan, candles
Cosmetics:
Powder
Mascara
Lash comb
Eyeliner
Brow makeup
Lipstick – base
Lipstick – top coat
Glitter
Hair brush
Hair spray
Styling paste
Styling tools
Eyelashes
Lash glue
Tweezers
Toothpicks (for the item below and the lashes)
Bindis
Mirror
Eye shadow
Eye makeup remover
Qtips
Cotton balls
Baby oil (the only thing that takes off my lipstick!)
“Insurance Items”
Double stick tape (a wonder on a roll!)
Sewing kit
Safety pins
Bobby pins
Does anything need batteries? (for cameras and candles, people!)
Music
Backup music
3rd choice!
Bag to hold it all
Hangers
Bodystocking
Lint roller
Razor scissors
Pain meds
Bandaids
Nailfile
Sharpie marker
Camera and film
Change of clothes and shoes
Tampons or pads
Now, I don’t use every item every time, but I do review this list and the questions above every time. Make your own list that works for you – it is the creation and the review of the list that makes the difference, not just what’s on it!
Happy dancing!
Questions to ask yourself:
1. Where will I be performing? (Can I finish getting ready there or should I leave my home in full costume? Will you need shoes? Was there a special request that requires something I need to bring, like zills, extra hip scarves, etc.?)
2. What will I do when it is my turn to perform? (Do I have my music? Do I have a backup plan? So I need props like a veil, cane, etc.? Is this a group number that requires specific costume parts or accessories?)
3. Am I in charge? (Do I need to bring a CD player? What about an extension cord? Will I need glasses to read those nicely labeled CD’s the dancers will bring? Do I need to bring anything for my dancers, like water, band aids, etc.?)
4. What will I do after the show? (Do I need a change of clothes? Oh, yeah – do I need a real bra, then? Do I need a bag to hold all of this stuff? And, do I need a UHAUL to carry it?)
Ask yourself these questions every time you get ready to perform and you will cover 90% or more of what you need.
Then, one time, allow yourself an extra 10 minutes to get ready for a gig. As you get ready, have a way to write down EVERYTHING that you use or need for the performance. I put my list on the last page of my student notebook, which I take with me when I go to classes, to out of town workshops, etc. This list will help you not only when you are getting ready for your ordinary halfa, it will also be very useful if you have to pack to travel for a performance.
Here is my comprehensive list, which reflects my priorities, now that I look at it!
Costume items:
Cover-up
Bra / top
Belt / scarf
Skirt / pants
Veil
Shoes
Underpants that don’t show
Bra that doesn’t show
Earrings
Necklace
Bracelets
Rings
Anklets
Zills
Hairclips / bands
Hair accessories
Props: cane, sword, fan, candles
Cosmetics:
Powder
Mascara
Lash comb
Eyeliner
Brow makeup
Lipstick – base
Lipstick – top coat
Glitter
Hair brush
Hair spray
Styling paste
Styling tools
Eyelashes
Lash glue
Tweezers
Toothpicks (for the item below and the lashes)
Bindis
Mirror
Eye shadow
Eye makeup remover
Qtips
Cotton balls
Baby oil (the only thing that takes off my lipstick!)
“Insurance Items”
Double stick tape (a wonder on a roll!)
Sewing kit
Safety pins
Bobby pins
Does anything need batteries? (for cameras and candles, people!)
Music
Backup music
3rd choice!
Bag to hold it all
Hangers
Bodystocking
Lint roller
Razor scissors
Pain meds
Bandaids
Nailfile
Sharpie marker
Camera and film
Change of clothes and shoes
Tampons or pads
Now, I don’t use every item every time, but I do review this list and the questions above every time. Make your own list that works for you – it is the creation and the review of the list that makes the difference, not just what’s on it!
Happy dancing!
Your Performance CD
“Wait,” you say, “I thought this was a costuming blog!”
Well, it is; but, it is also a blog about organization and saving money. And, when you take a whole CD full of songs (store bought or burned) with you to perform, you will not appear organized and you will risk losing money (especially if it is a CD you purchased).
So, let’s talk about the CD you take with you when you perform. Please do not take an original. Performances are tense for everyone – and, the person who runs the music gets the jitters, too. Any of the following things could happen:
- you are so full of adrenaline after the performance that you forget to get your CD back after the show
- you get it back, but then lose it while you changing out of your costume
- the person running the music keeps it
- or, they accidentally give it to someone else
- someone takes it (intentionally or not)
- it breaks
- it gets stuck in the player (This happened to me the FIRST time I performed at a hafla. The venue came with a player, but no one knew how to use it. 2 CD’s got stuck in at the same time – luckily, no permanent damage happened!)
If you take a COPY versus the ORIGINAL, then you will still have the ORIGINAL at home even if something happens to the COPY. That is how the advice below will save you money.
Now that we have covered the virtues of using a COPY, here is why it is important to label it: If you do not label your music, it looks like everybody else’s music. And, that means the emcee could put the wrong disc in, causing another dancer to hear your CD when it is their turn and just keep dancing. (I have seen this happen!) Or, you hear the wrong song from your multi-track disc and just keep dancing. (I have seen this happen, too!)
Labeling ensures that your music is ready when it is your turn. Having only one song on the disc helps, too, because the more songs on the disc, the greater the likelihood that the wrong one will be queued up. On your COPY disc, include ONLY the song you are dancing to. Then, label the disc with the following information, in this order
1. YOUR DANCE NAME
2. (Your real name)
3. The song name
4. The duration of the song
Here is why:
1. YOUR DANCE NAME should be in all caps, large font, so that it can be read in dim light through false eyelashes.
2. (Your real name should be in parentheses, in case that is the only way others know you and so you don’t get introduced that way.)
3. The song name is there because you will develop a collection of these and you want to quickly sort through and find the one you want when a last minute opportunity arises.
4. The duration of the song should be there because sometimes you want a longer number, and sometimes you don’t!
These simple steps will help you be (and appear) more organized. A little organization prior to the performance will greatly contribute to how your actual performance goes!
- this post was inspired by recent events. ;)
Well, it is; but, it is also a blog about organization and saving money. And, when you take a whole CD full of songs (store bought or burned) with you to perform, you will not appear organized and you will risk losing money (especially if it is a CD you purchased).
So, let’s talk about the CD you take with you when you perform. Please do not take an original. Performances are tense for everyone – and, the person who runs the music gets the jitters, too. Any of the following things could happen:
- you are so full of adrenaline after the performance that you forget to get your CD back after the show
- you get it back, but then lose it while you changing out of your costume
- the person running the music keeps it
- or, they accidentally give it to someone else
- someone takes it (intentionally or not)
- it breaks
- it gets stuck in the player (This happened to me the FIRST time I performed at a hafla. The venue came with a player, but no one knew how to use it. 2 CD’s got stuck in at the same time – luckily, no permanent damage happened!)
If you take a COPY versus the ORIGINAL, then you will still have the ORIGINAL at home even if something happens to the COPY. That is how the advice below will save you money.
Now that we have covered the virtues of using a COPY, here is why it is important to label it: If you do not label your music, it looks like everybody else’s music. And, that means the emcee could put the wrong disc in, causing another dancer to hear your CD when it is their turn and just keep dancing. (I have seen this happen!) Or, you hear the wrong song from your multi-track disc and just keep dancing. (I have seen this happen, too!)
Labeling ensures that your music is ready when it is your turn. Having only one song on the disc helps, too, because the more songs on the disc, the greater the likelihood that the wrong one will be queued up. On your COPY disc, include ONLY the song you are dancing to. Then, label the disc with the following information, in this order
1. YOUR DANCE NAME
2. (Your real name)
3. The song name
4. The duration of the song
Here is why:
1. YOUR DANCE NAME should be in all caps, large font, so that it can be read in dim light through false eyelashes.
2. (Your real name should be in parentheses, in case that is the only way others know you and so you don’t get introduced that way.)
3. The song name is there because you will develop a collection of these and you want to quickly sort through and find the one you want when a last minute opportunity arises.
4. The duration of the song should be there because sometimes you want a longer number, and sometimes you don’t!
These simple steps will help you be (and appear) more organized. A little organization prior to the performance will greatly contribute to how your actual performance goes!
- this post was inspired by recent events. ;)
Tuesday, April 7, 2009
If the shoe fits . . . dance in it!
Our choices as to what we wear when we dance are personal, and they are a reflection of our personalities – our taste and our needs. When performing, many dancers go barefoot, whether out of a sense of “tradition” or out of a desire to control movement. There are times, though, when shoes are a very good idea. When I perform, I will often take along shoes I can perform in, just in case there are hazards on my stage.
What hazards, you ask:
1. Splinters on a wooden stage
2. Beads or coins from a prior dancer
3. Broken glass on the floor of a restaurant
4. God knows what else on that same floor (ewwwwww!)
Most times, a pair of ballet slippers will suffice. If that is all you want, I highly recommend a pair with at least one strand of elastic across the instep and a split sole; these traits will increase your flexibility and keep your shoes on and comfortable when you are in relevee. However, sometimes, you might want something that can easily transition from the parking lot to the dance floor, and that is where repurposing shoes comes in handy.
When you look for footwear that can become dancewear, the things to look for are: a slick sole, a good fit, and a flexible color that will blend with your wardrobe. Pretty similar to how you buy shoes anyway, right? – except for the slick part, so let’s start there.
Slick: When you dance, you actually want your foot to slide easily. A slick sole will pivot easily on carpet and keep you from putting too much torque on your knee. This is one time where a slick sole is a good thing. Look for smooth soles, preferably made of leather.
Fit: If the shoe is uncomfortable when you buy it, it will be downright miserable when you are anxiously waiting to dance in the evening. Most shoe shopping advice cautions that your feet swell during the day; so, shop in the evening, just as you would for regular shoes. Look for something that moves with your foot, allowing you to goe up on your toes without coming off. And, there is no rule that you cannot add a small piece of elastic just as you would to a pair of ballet slippers.
Color: If you look at your dance wardrobe from a distance, what color links most of the pieces? Chances are, you are either a gold or a silver person. Looking for shoes in one of these colors will not only allow you greater flexibility in how you partner them with costumes, the colors will also blend better with most skin tones than, say, black, red, etc. Most dancers want a shoe to blend with their skin tone, lengthening the leg. So, pick a color that works with you clothes and your goals.
Once you have a pair in hand (or, on the foot as the case may be), practice in them! Get very used to dancing in them before you perform. (This is good advice for any costume piece, by the way.) Modify them as needed to make them comfortable and functional. And, if you add trim, remember that the more you add the more you narrow how you can match them.
What hazards, you ask:
1. Splinters on a wooden stage
2. Beads or coins from a prior dancer
3. Broken glass on the floor of a restaurant
4. God knows what else on that same floor (ewwwwww!)
Most times, a pair of ballet slippers will suffice. If that is all you want, I highly recommend a pair with at least one strand of elastic across the instep and a split sole; these traits will increase your flexibility and keep your shoes on and comfortable when you are in relevee. However, sometimes, you might want something that can easily transition from the parking lot to the dance floor, and that is where repurposing shoes comes in handy.
When you look for footwear that can become dancewear, the things to look for are: a slick sole, a good fit, and a flexible color that will blend with your wardrobe. Pretty similar to how you buy shoes anyway, right? – except for the slick part, so let’s start there.
Slick: When you dance, you actually want your foot to slide easily. A slick sole will pivot easily on carpet and keep you from putting too much torque on your knee. This is one time where a slick sole is a good thing. Look for smooth soles, preferably made of leather.
Fit: If the shoe is uncomfortable when you buy it, it will be downright miserable when you are anxiously waiting to dance in the evening. Most shoe shopping advice cautions that your feet swell during the day; so, shop in the evening, just as you would for regular shoes. Look for something that moves with your foot, allowing you to goe up on your toes without coming off. And, there is no rule that you cannot add a small piece of elastic just as you would to a pair of ballet slippers.
Color: If you look at your dance wardrobe from a distance, what color links most of the pieces? Chances are, you are either a gold or a silver person. Looking for shoes in one of these colors will not only allow you greater flexibility in how you partner them with costumes, the colors will also blend better with most skin tones than, say, black, red, etc. Most dancers want a shoe to blend with their skin tone, lengthening the leg. So, pick a color that works with you clothes and your goals.
Once you have a pair in hand (or, on the foot as the case may be), practice in them! Get very used to dancing in them before you perform. (This is good advice for any costume piece, by the way.) Modify them as needed to make them comfortable and functional. And, if you add trim, remember that the more you add the more you narrow how you can match them.
Saturday, March 14, 2009
North American Find Forecast: March 2009
The Christmas, Mardi Gras, and Valentine’s day holiday inventories are fading; while St. Patrick’s day, Easter and Prom season are on the rise. Spring is dawning here in the US, and here is your “forecast” for what you may find and convert to belly dance use in a store near you.
Red items: carry over from Valentine’s Day, and some Christmas. Price and availability are trending down. Look for: fabrics, jewelry, heart items that may embellish (think: appliqués, sequins, things that can be cut up and sewn on). Location: a clearance rack near you.
Emerald Greens: Some Christmas residuals may be out there, some Mardi Gras, but St. Patrick’s items are more likely. Prices will plummet, along with availability after March 17th. Look for: fabrics, some jewelry, embellishments will mostly be of bead variety. (No one really got into Mardi Gras around here this year due to the recession, so there may be beads aplenty.) Also, may find Purples and Golds. Location: a clearance rack near you.
Pastels: Easter and Prom are converging. Availability will rise over the next few weeks; prices will not drop until mid April. Look for: fabrics (satin, chiffon, silks), complimentary jewelry, and some convertible scarves (related posts coming soon). Embellishments may be in the form of appliqués, sequins, and brooches. Keep an eye out for shoes and sandals (again, related posts coming soon). Location: front of the store, where the “in season” items are kept.
Thrift store report: Some post-holiday and winter clearance on Red, Greens, and velvets. Remember, most thrift stores discount after 4 to 6 weeks in inventory, so seasonal finds are not as common as discounts based on time-in-inventory. Trending high on pre-Prom and pre-Easter (both price and availability). Also, continue to look for belly dance friendly items from years past: bohemian skirts, shirts with Beledi sleeves, embellished tanks -- these items will continue to surface over time; but, availability will always be “target of opportunity” due to the dependence on donations.
*This post title was edited on 3/18/09, as it really applies to North American seasons. Some holidays may be celebrated internationally, so you may be able follow those leads if you are one of my international readers. Feel free to comment if you have thoughts on this matter.
Red items: carry over from Valentine’s Day, and some Christmas. Price and availability are trending down. Look for: fabrics, jewelry, heart items that may embellish (think: appliqués, sequins, things that can be cut up and sewn on). Location: a clearance rack near you.
Emerald Greens: Some Christmas residuals may be out there, some Mardi Gras, but St. Patrick’s items are more likely. Prices will plummet, along with availability after March 17th. Look for: fabrics, some jewelry, embellishments will mostly be of bead variety. (No one really got into Mardi Gras around here this year due to the recession, so there may be beads aplenty.) Also, may find Purples and Golds. Location: a clearance rack near you.
Pastels: Easter and Prom are converging. Availability will rise over the next few weeks; prices will not drop until mid April. Look for: fabrics (satin, chiffon, silks), complimentary jewelry, and some convertible scarves (related posts coming soon). Embellishments may be in the form of appliqués, sequins, and brooches. Keep an eye out for shoes and sandals (again, related posts coming soon). Location: front of the store, where the “in season” items are kept.
Thrift store report: Some post-holiday and winter clearance on Red, Greens, and velvets. Remember, most thrift stores discount after 4 to 6 weeks in inventory, so seasonal finds are not as common as discounts based on time-in-inventory. Trending high on pre-Prom and pre-Easter (both price and availability). Also, continue to look for belly dance friendly items from years past: bohemian skirts, shirts with Beledi sleeves, embellished tanks -- these items will continue to surface over time; but, availability will always be “target of opportunity” due to the dependence on donations.
*This post title was edited on 3/18/09, as it really applies to North American seasons. Some holidays may be celebrated internationally, so you may be able follow those leads if you are one of my international readers. Feel free to comment if you have thoughts on this matter.
Wednesday, March 4, 2009
Street Skirts Hit the Stage
Isn’t it interesting how everything is more expensive when it’s “for bellydance?” By that, I mean that a simple tiered skirt hangs forlorn on a department store rack at some big-box discount store with a price tag less than $20US, while its not so distant cousin sits packed in a vendor’s truck, waiting to be displayed at an upcoming workshop with a price tag that is 3 to 5 times higher . . .
Folks, skirts are skirts. There are some that are elaborate enough to warrant vendor prices; and, you will not find those out in the wild. But, if you know what to look for, and where to look, you can buy performance worthy gems at clearance rack (“I never met a clearance rack I didn’t like!”) prices. Here is how.
Buy it to fit how you will wear it. That is, street skirts tend to be worn on the waist, and rarely fall below mid-calf; performance skirts need to fall on the hip and extend to the ankle. When buying, try them on so that the “waist” falls at your hip – look to see if the hem falls deep enough to cover the ankle and watch for “hip bumps” in the side seams. (Some skirts are shaped to curve around your hips – that doesn’t quite work when you slide them down to “below the belt.”)
Think of the possibilities. A plain black velvet skirt with a swirl panel (some call it a petal panel) shape may only look ho-hum; stick on some sequin trim along the seams and you have a bit of pizzazz! (FYI, slide the skirt over a piece of cardboard – I used my folded up cutting board. It will keep you from accidentally sewing the front to the back.)
When you get it home, try it on – with your costumes! I literally have “dress up parties” with my young daughter where we see which of Mommy’s pieces work with her new finds. And, when you buy skirts retail (vs. from dance vendors), you can often leverage a return policy.
Buy what you will ACTUALLY wear. I have a pink cotton full skirt with cute little shisha mirrors sewn on that seemed like a great idea at the time. I only wore it to class twice. I’m just not that tribal, I guess.
Folks, skirts are skirts. There are some that are elaborate enough to warrant vendor prices; and, you will not find those out in the wild. But, if you know what to look for, and where to look, you can buy performance worthy gems at clearance rack (“I never met a clearance rack I didn’t like!”) prices. Here is how.
Buy it to fit how you will wear it. That is, street skirts tend to be worn on the waist, and rarely fall below mid-calf; performance skirts need to fall on the hip and extend to the ankle. When buying, try them on so that the “waist” falls at your hip – look to see if the hem falls deep enough to cover the ankle and watch for “hip bumps” in the side seams. (Some skirts are shaped to curve around your hips – that doesn’t quite work when you slide them down to “below the belt.”)
Think of the possibilities. A plain black velvet skirt with a swirl panel (some call it a petal panel) shape may only look ho-hum; stick on some sequin trim along the seams and you have a bit of pizzazz! (FYI, slide the skirt over a piece of cardboard – I used my folded up cutting board. It will keep you from accidentally sewing the front to the back.)
When you get it home, try it on – with your costumes! I literally have “dress up parties” with my young daughter where we see which of Mommy’s pieces work with her new finds. And, when you buy skirts retail (vs. from dance vendors), you can often leverage a return policy.
Buy what you will ACTUALLY wear. I have a pink cotton full skirt with cute little shisha mirrors sewn on that seemed like a great idea at the time. I only wore it to class twice. I’m just not that tribal, I guess.
Basic Bedlah / Beledi Dress Storage
Your costume is an investment – normally, several hundred dollars (in $US, at least). Here are a few basic tips to help protect that investment:
1) Store them flat – do not hang. Beads have weight, and weight stretches fabrics. A dress that fits perfectly when you buy it can mysteriously grow 3 inches while hanging. Unless you really enjoy altering beaded hems, don’t hang it.
2) Store them in a protective environment – ideally, an acid free box. My personal preference is an acid free photo box. I am lucky in that I am small busted, so a photo box that sells for about $3.50US (on sale) can hold at least one half (top or bottom) of a bedlah; some beledi dresses fit in there as well. Larger boxes can be had at higher prices.
a. Why acid free? Acid eats fabric. ‘nuff said?
b. How do I fold them? Let the shape of your costume guide you: fold the belt to follow the curves of your hips. Gently place them in (fringe first), then ease the rest of the belt in.
c. How big of a box do I need? I base it on my bras – the box should be wide enough that my bra can easily fit with the cups up (i.e. the box needs to be about as wide as your shoulders.
d. They don’t make boxes big enough – what do I do?!? (AND) I really don’t want to spend money – what are my other options? Men’s shoe boxes and boot boxes (men’s or women’s) are a wonderful, larger, and often free alternative.
3) Throw in a little extra insurance – remember, Silica Gel is your new best friend!
4) Take the container with you when you perform. I tuck mine in a bag along with my change of clothes. This allows me to tuck my costume away in its protective shell after I do my quick change, protecting the beads and sequins from the ravages of transport. And, I keep a small zip-top bag in the box to hold jewelry. (Learned that one when a necklace “married” the fringe of a bra after one show.) Just remember to let your costume air a bit before tucking away for long-term storage.
1) Store them flat – do not hang. Beads have weight, and weight stretches fabrics. A dress that fits perfectly when you buy it can mysteriously grow 3 inches while hanging. Unless you really enjoy altering beaded hems, don’t hang it.
2) Store them in a protective environment – ideally, an acid free box. My personal preference is an acid free photo box. I am lucky in that I am small busted, so a photo box that sells for about $3.50US (on sale) can hold at least one half (top or bottom) of a bedlah; some beledi dresses fit in there as well. Larger boxes can be had at higher prices.
a. Why acid free? Acid eats fabric. ‘nuff said?
b. How do I fold them? Let the shape of your costume guide you: fold the belt to follow the curves of your hips. Gently place them in (fringe first), then ease the rest of the belt in.
c. How big of a box do I need? I base it on my bras – the box should be wide enough that my bra can easily fit with the cups up (i.e. the box needs to be about as wide as your shoulders.
d. They don’t make boxes big enough – what do I do?!? (AND) I really don’t want to spend money – what are my other options? Men’s shoe boxes and boot boxes (men’s or women’s) are a wonderful, larger, and often free alternative.
3) Throw in a little extra insurance – remember, Silica Gel is your new best friend!
4) Take the container with you when you perform. I tuck mine in a bag along with my change of clothes. This allows me to tuck my costume away in its protective shell after I do my quick change, protecting the beads and sequins from the ravages of transport. And, I keep a small zip-top bag in the box to hold jewelry. (Learned that one when a necklace “married” the fringe of a bra after one show.) Just remember to let your costume air a bit before tucking away for long-term storage.
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